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“Mornin’, Character. How d’you like your coffee?”

(To this my MC would reply: “Add so many things and take away a bunch more so that the coffee tastes just like lemonade.” – She doesn’t like coffee.)

Any writer, any reader, for that matter, knows what it’s like to be walking through the grocery store, the kitchen, their bedroom, and realize mid-daydream that the person they happen to be daydreaming about isn’t in fact a person at all. You won’t find their address in the yellow pages and you definitely won’t find their favorite song on their nonexistent iPod Touch. Whoops. You’ve been fantasizing about people who don’t exist again.

Just the other day, I was sitting with my dad in his pick-up, and mentioned something along the lines of, “There’s something about [so and so] that annoys me.” To which my dad immediately replied, chuckling, “What, that they’re not fictional?”

Very, very good guess, Daddy.

It’s ridiculous, really, how completely real characters who are just names on a page can seem. But that’s just it, isn’t it? They aren’t just names on a piece of possibly-crappy-smelling paper. They’re just as real as Mr. John B. Manning across the street with the prosthetic leg that sticks out from the bottom of his army shorts – some characters more so than others, but it’s true all the same. Crazy, but true. We love our characters, we hate our characters, and we have to meet more and more of them to survive. You might be an introvert, but the characters in books don’t care. They can’t tell.

Readers: Can you even fathom how a single person – an author, could manage to deceive you so thoroughly? Could succeed at digging under your skin with this character so well that you want them to be real, living people you could run into at Target? How is it that these crazy writers can create seemingly living people, deep, sensitive, conflicted, emotional people? Just like you and me?

Heck, we writers can’t even figure it out. We just try to make our characters realistic.

So, writers: How do you try?

Readers (again): How do you think you’d do it?

What do we think it takes to make someone?

I’m interested to see what people’s takes on this topic are. It’s a universal question, asked by tons and tons of people, but every single person has their own idea because there really isn’t one answer.

I’ve proven to myself over the past few months that I am, despite my past attestations of the negative, a thorough plotter. I plot everything, every single moment. I’m flexible, things can change, but I have an outline. I know what has to be gotten across in the scene, whether I follow the plan strictly or not. And above all, I plot characters. I create them by thinking them over, tossing them left and right in my mind, trying to see into them, to what lies beneath, and then I try to fill in the nooks and crannies. I type character analyses that talk about everything from when they were born to their embarrassing habit of collecting random bumper stickers, no matter what they said.

I haven’t always done people-making this way. I’ve written shorter little baby stories with characters that existed purely in my head. I didn’t scribble down any details about them that weren’t directly in the story, and they lived. Somehow, by some inexplicable magic, I still managed to breathe life into them, They lived on the page, and I loved all of them, even the jerky ones. They were mine.

And I’ve got plenty of bosom friends that were various authors’, and because those authors sent their stories out into the wide world to spread their wings, those characters became ours, too.

So, besides telling me how you think people should go about character-creating, tell me who your bosom friends are – whether they’re your main characters or someone else’s.

Title: The Outsiders

Author: S.E. Hinton

Published: April 1, 1967 by Viking Press

Number of Pages: 192

Rating: 5/5

Quote:

Sixteen years on the streets and you can learn a lot. But all the wrong things, not the things you want to learn. Sixteen years on the streets and you see a lot. But all the wrong sights, not the things you want to see.”

Review:

You know how every once in a blue moon, you run into one of those books that you know you’ll never forget? Every word you read becomes embedded in your skin, your bones, your heart. You simply know, as the result of some Avid-Reader’s-Intuition that the book you’re holding in your hands is special.

The Outsiders, for me at the very least, is one of those books. It’s powerful and thought-provoking, and in less than 200 pages! What a feat!

Ponyboy Curtis is a Greaser, through and through. His hair is always slicked back with ample amounts of the stuff, and he hangs out with a handful of other boys, most of whom have “greaser” written all over them.

An orphan living with his two brothers, Daryl – the oldest and meanest, and Sodapop – Pony’s best friend, Pony lives a tough but good-enough life. He gets good grades, loves his pals, and gets to mull over books and eat chocolate cake at home. Lurking beneath all this however, is the knowledge that one wrong step, one too-bad issue amongst the Greasers, and Pony and Soda could be sent to a boy’s home.

So, when things go awry one evening when Pony heads off with Johnny Cade, the “pet” of the group, Pony’s entire world is thrown upside down, to the left, to the right, and over his head.

Although it’s set back in the 1960’s, when S.E. Hinton wrote it in her teens, The Outsiders is immortal in all the ways that matter. Pony’s troubles, the friendships, and the boys’ personalities are all timeless and relatable. If you don’t love these kids, you’re either a cold-hearted person (in which case, I have no hope for you) or can’t read (find a first grade teacher).

The boys’ social situation is an issue directly addressed in the book as the guys fight and get-to-know Socs, the West-siders who have everything. “Tuff” cars and all. The senselessness of the ongoing fight between both classes seems barbaric and unnecessary to us, but is a part of life for the boys, something that they’ve been a part of for so long that it seems inescapable. No matter how much some of them try to run away from it, it’s there. Socs and Greasers at a gas station, their blades reflecting the sunlight. Over the course of the book, Pony gets the opportunity to mull over the predicament. To roll it over in his head and examine its smallest crevices. Over and over throughout the book, the same thing is said – It’s stupid, so quit it. It’s pointless, so don’t waste your strength. – because everyone knows that, no matter how many teeth you jam into a Soc’s arm, they win, for all it matters. They win because they have the opportunities in life to go beyond the lot and the gas stations.

S.E. Hinton really hits you with the reality of the characters’ situations. She’s blunt and truthful – everything you’re looking for in an author who’s relating fictional events based on realities, but most importantly, she’s sympathetic. She sees the argument from both the East and the West Sides, and she readily relates both, unbiased.

For me, sheltered little Madeleine, the life these boys lead was shocking – mainly because it felt so real, so much like life that I felt it was happening on my street. Because of that fact, I loved the book all the more. It made you feel everything right along with Ponyboy, and left you empty and worn out at the end, but wanting more. I didn’t care if I was emotionally exhausted by the whole thing. I’d go on draining myself because such a strong interest had taken hold of me. Tight. Tight. Tight.

And, naturally, this Wordbird’s favorite things about the whole book were those gosh-darned lovable characters. I loved all of them; right down to Dallas Winston, hard-core and “emotionless” (“Dally was so real he scared me.” – Ponyboy). The ragamuffins just burrow right into your heart and snuggle up. Soda, Dally, Darry, Johnny, Two-Bit, Steve, Pony – take your pick. They’re all wonderful, deep, and real. And those are just some of the Greasers – there are plenty more people you’ll learn to love and dislike in the book, and those are two things we all like to do.

I recommend this book to anyone looking for something that will teach you multiple lessons without being preachy, chastise you without your knowing it, and love you simultaneously.

Goodness gracious. I need to find more books that I don’t like! Anyway, The Outsiders is fantastic. Read it. Love it. Share it.

Oh, and, watch the movie. It’s great. (I don’t care how Cherry Valance feels: I love Dallas Winston – especially the one in the movie.)

This. Is. Temporary.

Hey, blog readers!

I just wanted to let you all know that, most likely, this theme will only be up for a day or two. I’m trying it out.

Happy reading!

Title: The Help

Author: Kathryn Stockett

Published: February 10, 2009 by Penguin Group

Number of Pages: 464

Rating: 4/5

Quote: (Sorry it’s so long. I couldn’t shorten it because it’s my favorite part of the book and chopping it up seems like blasphemy.)

“’Mae Mobley? Mae Mobley Leefolt!’

“Miss Leefolt just now noticing her child ain’t setting in the same room with her. ‘She out here with me, Miss Leefolt,’ I say through the screen door.

“’I told you to eat in your highchair, Mae Mobley. How I ended up with you when all my friends have angels I just don’t know…’ But then the phone ring and I hear her stomping off to get it.

“I look down at Baby Girl, see how her forehead’s all wrinkled up between the eyes. She studying hard on something.

“I touch her cheek. ‘You alright, baby?’

“She say, ‘Mae Mo bad.’

“The way she say it, like it’s a fact, make my insides hurt.

“’Mae Mobley,’ I say cause I got a notion to try something. ‘You a smart girl?’

“She just look at me, like she don’t know.

“’You a smart girl,’ I say again.

“She say, ‘Mae Mo smart.’

“I say, ‘You a kind little girl?’

“She look at me. She two years old. She don’t know what she is yet.

“I say, ‘You a kind girl,’ and she nod, repeat it back to me. But before I can do another one, she get up and chase that poor dog around the yard and laugh and that’s when I get to wondering, what would happen if I told her she something good, ever day?

“She turn from the birdbath and smile and holler, ‘Hi, Aibee. I love you, Aibee,’ and I feel a tickly feeling, soft like the flap a butterfly wings, watching her play out there. The way I used to feel watching Treelore. And that makes me a kind a sad, memoring.

“After while, Mae Mobley come over and press her cheek up to mine and just hold it there, like she know I’ll be hurting. I hold her tight, whisper, ‘You a smart girl. You a kind girl, Mae Mobley. You hear me?’ And I keep saying it till she repeat it back to me.”

Review:

I’d heard so much about The Help before I decided to read it, but it wasn’t until I put a hold on it online that I realized what sort of book I was dealing with – I was approximately hold 378 of 378 holds. Whoa. So, naturally, I was intrigued and very happy to borrow a copy from one of my mom’s friends.

The Help deals with a time and topic that I have a great interest in. I search out books set in and around times when racial tension was at its highest. Gone with the Wind, which I read in fifth grade, planted the seed that sprouted into that interest. I also thought the point of view of The Help (which, for the most part, was actually that of “the help” – the black maids that worked for white women in the 1960’s – the time of the Civil Rights act and Martin Luther King, i.e. an epic time in US history) was a fascinating one and one that was entirely new to me.

Once I opened the book and began my read, it took me some time to adapt to the slightly illiterate voice of Aibileen, the first maid from whose POV we read. Not surprisingly, she was not very well educated, and that’s reflected in her voice.  While a hindrance to fluid reading at times, I am fond of touches of like this, and enjoyed Aibileen’s sweet but blunt way of relating events. Later, we’d be introduced to Minny, another maid, and Miss Skeeter, a white young woman. Note: You’re going to love Minny. She’s such a sassy, pain-in-the-butt. It’s endearing. Miss Skeeter I liked as well for a few reasons, two of which were 1) She’s a writer and I like that quality and 2) She’s quite a decent person, an even more important attribute.

The Help tells the story of black women in a time dominated by white people. It tells the truth, as an 83-year-old friend of mine can testify.

Miss Skeeter, twenty years old, tall, and unattractive, just wants to write, move out of her parents’ house, and get her mom off her back. Then, she finds herself becoming more and more interested in the lives of black women after asking Aibileen, her friend’s maid, for help with her advice column in the local newspaper. Not a safe interest. Not one people respect. With a friend like Miss Hilly, deceptive and very, very pro-segregation, Skeeter should probably sleep with a knife under her pillow.

A forbidden interest Skeeter could handle, until she became determined to record the stories of the black women she had hardly noticed before. With Aibileen’s help, Skeeter starts out on a mission to make these women’s voices heard.

And that’s only what I consider to be the main plot. The Help is engorged with subplots, some touching, some disturbing, and some hopeless. You’ll feel a large range of emotions while reading this book.

The alternating POVs are ideal for giving us the inside scoop on multiple situations. Stockett uses the different POVs just as an author should – to keep you reading until your eyes hurt. Every time she switched, she left the last section hanging, sending me off to count the chapters until we returned to the POV from which I had been reading. Of course, I’d finally reach that point, but I’d already be counting the chapters to another character’s section. It’s maddening but very effective. (Writers: I recommend this strategy.)

I loved that the book didn’t hide behind a veil of fluff and inconsequential details. Just as Aibileen was, the book was blunt and treated the serious topic as it should be – seriously. At the same time, it wasn’t full of the Ku Klux Klan and brutal murders (although there was one of those…). It didn’t call all white women evil devils. The book was reasonable. It was a story of these women’s lives, fictional, of course, but entirely plausible. Because of that fact, we felt for the women in the story and the women those characters embodied.

I’d certainly recommend The Help to book clubs as it’s full of wonderful discussion topics. I’d also recommend it to anyone on the look-out for books that make them think – about the pros and cons of human nature, revolution, etc. When I think back on The Help, I can’t help but ponder a topic that I think was only vaguely addressed: The hope we have in the next generations. The hope that they’ll learn from our mistakes and instead make their own ones – maybe just as stupid, but still different.

On the downside, my aunt did make a good point: That the last fifty to one hundred pages felt like a screenplay, felt as if they were meant to be filmed. I didn’t notice it until I thought back, but it’s a good point – they sort of did.

All in all, I thought The Help was a heartening, reassuring, and riveting story. It’s worth a read, even if you’re hold 257 of 257 holds.

The Wordbird is now tweeting.

I long ago took a vow never to join anything remotely like Twitter, and now I’ve gone and broken it. I couldn’t stand not understanding what was going on with all the Twitter feeds I’ve been reading. So, if you want to take a peek: http://twitter.com/MadeleineRex

And a note on my work-in-progress: I’ve used Wordle to create a little collage of a few of my favorite things – words! In case you’re unfamiliar with Wordle, it takes all the words you paste into a box and jumbles them up, enlarges them judging on how often they’re used, and spits out a little picture. You can then edit the image to look as you’d like it to.

Here’s That Boy in the Shed’s:

It’s interesting, isn’t it? I was fascinated by other peoples’, so I took a whack at it myself.

I hope to post a review to The Help by Kathryn Stockett within the next few days, so stay tuned!

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